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THE
BALLYCASTLE SET
CORNER
COUPLES
(X
= gent O = lady)
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1st
corner
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X
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O
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2nd
corner
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couple
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O
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X
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couple
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X
O
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Home
place
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First
Figure (Polkas)
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272
bars
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1
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Advance
and retire
twice, with crossed hand hold.
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8
bars
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2
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Swing,
with ceili hold
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8
bars
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3
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Top
Couples:
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Advance,
retire
(4 bars), with crossed hand hold, and turn across to the
opposite place, gents passing each other L to L behind their
partners while the ladies turn 1½ turns clockwise under both
arms to face centre (4 bars). The crossed hand hold is returned to R
over L and the movement is repeated back to place (8 bars).
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16
bars
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Swing
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8
bars
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4
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Side
couples
now dance 2
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24
bars
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5
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Top
couples
dance the three-and-one:
While the 2nd couple dance in place the 1st couple
advance with crossed hand hold (2 bars), drop hands and turn to face
each other (2 bars) and swing to leave the lady beside 2nd
top gent (4 bars)
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8
bars
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1st
gent takes both ladies' inside hands, the trio crosses to 1st
gent's place (2 bars) and both ladies turn outwards underarm
and into line beside him, hands held on outside shoulders (2 bars).
The trio advances to meet the 2ndgent in the centre (2
bars) and form a basket, the gent's hands held, the ladies' arms
outside the gents' with hands resting on the gents' shoulders (2
bars).
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8
bars
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Swing
four,
falling back to place on the last 2 bars
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8
bars
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Top
couples
now repeat the movement, 2nd couple leading
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24
bars
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6
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Side
couples
now dance 4, 1st couple (R of 1st tops)
leading.
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48
bars
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7
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Swing
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8
bars
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8
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Circle
and change partners:
all take hands in a circle and advance and retire twice. As they
retire for the 2nd time the gents drop their partners'
hands and turn anti-clockwise to take their corner ladies in open
waltz hold.
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8 bars
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9
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Lead around
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8 bars
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10
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Swing
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8 bars
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11
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Circle and
change partners
Lead around
Swing
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24 bars
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12
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Circle and
change partners
Lead around
Swing
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24 bars
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13
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Circle and
change partners
Lead around
Swing
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24 bars
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Second Figure (Polkas)
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128
bars
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1
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Top couples:
Ladies chain R hands in the centre, L to turn under and
around the gent as he faces centre and R hands in the centre again.
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8 bars
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Sevens across:
with the gent's hands on the lady's waist and her hands on his
shoulders, couples sidestep, the gents back-to-back, across to the
opposite side and half-turn clockwise in place, dancing
12345678,123,223 (4 bars), the weight being carried on the leading
foot. The movement is repeated back across the set and into place,
gents again passing back-to-back (4 bars).
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8 bars
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House around
each other, keeping the same hold.
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8 bars
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2
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Side couples
now dance 1
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24 bars
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3
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Double diamond:with
the same waist and shoulder hold, top couples dance 7s into each
place moving clockwise around the set while side couples dance the
same movement anti-clockwise, the gents always passing back-to-back.
So tops pass inside to the 1st place, on the outside to
the 2nd, inside to the 3rd and on the outside
back to home. (
NOTE: this movement is best practised in half sets, with tops and
sides each dancing their own movement. Top couples quarter-turn
anti-clockwise in each place to dance to the next, while side
couples quarter-turn clockwise.)
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8 bars
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4
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Short sevens:
with the same hold, couples sidestep towards the centre of the set
and back (dancing in234567, and back234567) twice, the weight being
kept on the leading foot in each direction.
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8 bars
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5
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Corners:
keeping the same hold, tops and their 2nd corner couples
house around each other (8 bars) then tops and their 1st
corner couples house around each other (8 bars).
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16 bars
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6
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Crossover:
top couples dance sevens across to the opposite place while
sides turn once in place (4 bars), sides dance sevens across
while tops turn in place (4 bars) and the whole movement is repeated
back to place (8 bars)
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16 bars
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7
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Four sevens:
all couples dance 7s into the next place on their R, quarter-turn
clockwise and dance 7s into the place opposite their own (4 bars)
and repeat these movements back to place (4 bars).
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8 bars
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8
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Double house
around: still with the same
hold, couples house around twice.
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16 bars
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Third Figure (Polkas)
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232
bars
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1
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Advance, retire
and ladies change places:
tops and their 2nd corner couples face each other with
crossed hand hold, advance and retire once (4 bars) and the ladies
change places, passing R to R and turning inwards (4 bars).
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8 bars
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Swing
new partners.
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8 bars
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Advance, retire
and ladies change back: the
movement is repeated back to own partners.
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8 bars
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Swing.
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8 bars
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2
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All dance 1 again,
this time with tops facing their 1st corner couples.
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32 bars
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3
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Top couples:
Back-to-back: 1st gent and 2nd lady
dance past each other, R to R, and quarter-turn clockwise in the
centre (4 bars). They then half-turn anti-clockwise to face each
other in the centre, their backs to their 2nd corner
couple (4 bars).
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8 bars
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Swing,
to finish with their backs to their 1st corner couples.
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8 bars
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Back-to-back:
they pass by and turn back-to-back as before to finish in the centre
with their backs to their own place.
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8 bars
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Swing,
falling back to place on the last 2 bars.
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8
bars
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The
whole movement is then danced by the 2nd gent and 1st
lady.
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32
bars
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3
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Side
couples
now dance 2.
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64
bars
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4
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Long
quarterhouse:
taking waist and shoulder hold again, couples dance short 7s into
the set and back (4 bars) and dance 2 turns into the next place on
their R (4 bars). This movement is repeated into each place and back
home.
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32 bars
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STEPS
Instead
of dancing 3s when advancing and retiring as is usually the case in
a polka, the step danced here is : 1 2, 1 2 and back 2, 123.
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SOURCE
Pat Murphy at his workshop in Castletown in May, 2002. Pat got the
set from Mickey Kelly of Newport, Co. Mayo who learned it from the
Ballycastle Set Dancers. Contrary to my normal practice, I did not
have my cassette recorder with me at this workshop so these Study
Notes are derived from Pat's own notes on the set.
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