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THE
INIS OIRR SET
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The
first three figures of this set are danced as half-sets and the
fourth as a full set.
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First
Figure - Crossover (Reels)
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120
bars
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1
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Crossover,
ladies R to R (2 bars) and gents L to L (2 bars) and repeat the
movement back to place (4 bars).
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8
bars
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2
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Step
it out:
partners face each other and dance the step in place.
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8
bars
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3
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Swing,
with ceili hold.
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8
bars
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4
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Ladies
chain
R hand in the centre, L to turn under the arm of the opposite gent
who follows her round, R hand in the centre and L to turn under and
round her partner who turns with her.
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8
bars
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5
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Step
it out.
Swing.
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16
bars
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6
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Advance,
retire and cross:
with crossed hand hold couples advance (2 bars) and, as they retire,
the lady dances across her partner under raised arms to finish
alongside him on his L (2 bars). Couples dance across the set,
gents R to R (2 bars) and each dancer ½ turns inwards to face
their own place (2 bars). The whole movement is then repeated
back to place.
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16
bars
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7
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Step
it out.
Swing.
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16
bars
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8
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Advance,
retire and cross.
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16
bars
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9
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Step
it out.
Swing.
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16 bars
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Second
Figure - Ladies chain (Reels)
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160
bars
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1
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Ladies
chain.
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8
bars
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2
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Step
it out.
Swing.
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16
bars
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3
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Dance
around:
1st lady and 2nd gent
dance a full circle clockwise around each other to end face-to-face
in the centre. The movement may be embellished according to
individual taste.
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8
bars
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Swing:
the dancing couple swing (6 bars) and fall back to place (2 bars).
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8
bars
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4
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Advance,
retire and cross.
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8
bars
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5
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Dance
around and swing:1st
lady and 2nd gent
repeat 3.
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16
bars
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6
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Advance,
retire and cross back.
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8
bars
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7
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Step
it out.
Swing.
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16
bars
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8
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Dance
around and swing:
2nd lady and 1st gent
dance 3.
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16
bars
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9
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Advance,
retire and cross.
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8
bars
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10
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Dance
around and swing:
2nd lady and 1st gent repeat
3.
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16
bars
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11
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Advance,
retire and cross back.
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8
bars
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12
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Step
it out.
Swing.
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16 bars
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Third
Figure - The Three and One (Reels)
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160
bars
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1
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Ladies
chain.
Step it out.
Swing.
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24
bars
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2
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Three
and One:
2nd couple hold R hands while 1st couple
house within the set to leave the 1st lady on the R of 2nd
gent, facing out of the set. On the last 2 bars, 2nd
lady ½ turns anti-clockwise to face out of the set while 2nd
gent takes 1st lady’s L hand in his L and 1st
gent dances in between the ladies, without taking hands, to form a
line.
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8
bars
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The
formation retires (4 bars), and advances (4 bars) and on the last 2
bars the ladies ½ turn inwards to give their free hands to
the 1st gent while keeping hands held with 2nd
gent. The formation advances (4 bars) and retires (4 bars),
ladies dropping hands and turning inwards to place their hands on
the gents’ shoulders as they form a little christmas on the last 2
bars.
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16
bars
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Swing
four:
they swing clockwise (8 bars) and anti-clockwise (8 bars).
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16
bars
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3
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Ladies
chain.
Step it out.
Swing.
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24
bars
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4
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Three
and One:
2nd couple lead to repeat 2.
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40
bars
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5
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Ladies
chain.
Step it out.
Swing.
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24 bars
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Fourth
Figure - The Full Set (Polkas)
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136
bars
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1
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Circle:
all take hands in a circle and advance and retire twice.
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8
bars
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2
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Dance
at home.
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8
bars
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3
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Circle,
and ladies move
on to the next gent on the R on the last 2 bars.
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8
bars
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4
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Dance
at home.
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8
bars
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5
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Circle,
and ladies move on.
Dance at home.
Circle, and ladies move on.
Dance at home.
Circle, and ladies move on to their own partners.
Dance at home.
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48
bars
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6
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Advance,
retire and crossover:
keeping waltz hold,
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Top
Couples
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Side
Couples
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Advance.
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Dance
in place.
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(2
bars)
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Retire.
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Advance.
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(2
bars)
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Crossover,dancing
2 steps forward and 1/2 turning anti-clockwise into place.
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Retire
and dance in place.
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(4
bars)
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Dance
in place.
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Crossover,
as tops.
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(4
bars)
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Advance.
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Dance
in place.
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(2
bars)
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Retire.
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Advance.
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(2
bars)
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Crossover,
back home.
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Retire
and dance in place.
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(4
bars)
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Dance
at home.
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Crossover.
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(4
bars)
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24
bars
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7
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Ladies
chain,
top ladies leading and side ladies starting 2 bars later.
Step it out.
Swing.
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24 bars
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STEPS
Traditionally, a doubled reel step, similar to the Connemara step
but brushed with the ball of the foot rather than danced with the
heel, was used to Step it out. Nowadays dancers dance
whatever step they wish.
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SOURCE
Pat Murphy at his Bristol workshop, April 2000.
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